sing in exultation

The piece of music that makes it feel like Christmas for me is the "Christmas Festival Overture" by Leroy Anderson. The composer took several popular Christmas carols and songs and arranged them in a medley. The best parts of it were clearly influenced by Tchaikovsky's "1812 Overture." My favorite segment is a mashup of "Jingle Bells" and "O Come All Ye Faithful." There's a new BBC recording of Anderson's holiday works that includes the overture. I literally got goosebumps when I heard the Saint Louis Symphony Orchestra perform the opus on Saturday night.

The SLSO's home is the beautiful Powell Symphony Hall, a former vaudeville and movie house. Prior to the concert, they projected messages on a screen reminding the audience that photography was prohibited and that ushers would provide cough drops before the show started. Coughing must be prohibited too. I was impressed that at one of the refreshment stands they sold slices of cake and pie, egg nog (spiked and regular) and hot cocoa. Meanwhile on stage, soloist Doug LaBrecque put the broad in Broadway as he sang to the rafters. He thanked his arranger Wayne Barker for working up some nice orchestrations to include the excellent St. Louis Children’s Choirs on "Do You Hear What I Hear?"

All the songs we heard at the concert and the songs we heard on the weekend's long car trip got me thinking about the good, the bad and the ugly of Christmas music. Relient K's version of "Sleigh Ride" is a favorite this year. I also still enjoy The Blenders singing "The First Noel" and the Brian Setzer Orchestra doing "Angels We Have Heard On High," which is downloadable for free for a limited time on Amazon.com. Look up pop perfection and you should get "All I Want for Christmas Is You" by Mariah Carey. It is flawless both as a song and as a record. Ask the Grammys if you don’t know the difference between the two.

I've come to realize that "Baby It’s Cold Outside" is really a woman’s song. I don’t like versions in which the female part is a throwaway, for example when Dean Martin sings it with some anonymous chorus girls (sorry, Bean.) I loved the version on the Mark & Brian Christmas album, not because of Barry Manilow but because of the great voice of listener Pamela Holt. Even better is the cover of the song on the "Elf" soundtrack, sung by Zooey Deschanel and Leon Redbone. When Zooey sings the line "my sister might get suspicious," how can you not think of Bones?

My daughter left a comment on Bean's Christmas Music Everyday blog. He posted a song called "Christmas Eve in Washington" that seems to be disliked by everyone I know. As far as I know, it only gets airplay in D.C. That reminds me. Let me air a gripe about all the radio stations that play only Christmas music for the month prior to the holiday. I've already written about the uneven ratio of sacred to secular songs. Now I want to know why you cut us off cold turkey at 11:59 p.m. on the 25th? When you go back to playing the best mix of yesterday's favorites and today's whatever, I'll be listening to Christmas music for a few more days. I think you should leave some Christmas songs on the playlist through New Year's Eve. Oh and one more thing, when you play an instrumental version of "Sleigh Ride," keep in mind that Leroy Anderson was the composer of the piece. You often make it sound like he played all the instruments on the recording by the Boston Pops or another symphony orchestra.