Friday, July 18, 2008

meow mix

Susan Olsen wants your clicks. The actress who played Cindy on "The Brady Bunch" sent out an email tonight to a bunch group of her friends and family members with the news that she is in the cast of "Gimme My Reality Show," which will air on the Fox Reality Channel starting October 11. The show is filming now. As part of the competition, Susan needs as many of us as possible to click on a YouTube video she made. Whoever gets the most clicks over the weekend wins the challenge. It's a faux PSA called "Kittens In Peril" that could be analogous to the hazards faced by former child stars. Or maybe it's just about kittens.

Susan and I worked together at the defunct Comedy World Radio Network (which was way ahead of its time in online audio and video streaming). Previously she had a talk show at KLSX. Susan did a radio interview earlier this month in Colorado that made the news when she got sick. Rather than fabricate a story about having the flu or something, she knew from her past radio experience that it was best to be honest and tell the morning deejays that she was hungover from a few glasses of wine the night before. The altitude and an oncoming migraine didn't help either. The deejays were quick to get a video of the interview to CNN and other outlets, saying it was the weirdest thing that ever happened to them. Funny, it's happened to me plenty of times. Someday I should try to make a list of all the celebrities who showed up hungover to morning radio interviews that I had booked.

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Wednesday, July 16, 2008

prey for Cas Walker

The dream of almost everyone who has done a commercial voiceover is to become a cartoon character. I've always been a fan of the voices behind the drawings. When I was casting the radio dramas we did at KLOS, I would be sure to get some talented voice actors to work alongside the more well-known celebrities. Jess Harnell was in all of my productions. At other times we had Nancy Cartwright, Christine Cavanaugh and the legendary June Foray. Mark Hamill was in several of our productions. He is known for his on-camera performance in "Star Wars" but truly shines for his voiceover work as the Joker in "Batman: The Animated Series" and other roles.

The topic of voiceovers came to mind when my friend Sandy Weaver Carman left a comment on my blog entry about downloading a Mark Twain audiobook. DC radio fans will certainly remember Sandy as one of the best deejays to ever grace the market with her work at Q107 and WAVA. She recently launched her own voiceover business and a blog that will help push her name to the top of the search results.

Sandy's blog inspired me to add some newer samples on my own voiceover page. I recently did a couple of radio commercials using character voices. Although I have yet to become the voice of an animated cartoon character, publicist Zane Hagy asked me to create a voice for Ronnie Raccoon, the spokesplushy for Saving Little Hearts, a charity for kids with congenital heart defects.



One day last week, there was a slight advertising emergency at the radio station. A local used car dealer wanted someone to do a superhero voice for their new commercial. The others who had tried it weren't "whitebread" enough. Strangely, I was asked to give it a try. Because of the circumstances, there was a rush to get it done. On my way to the studio, I saw that the script called for three voices. I thought it might be funny if I did all of them myself. If it didn't sound right, they could still get somebody else to be the announcer or the woman in distress. Gene Wooten added some reverb and the perfect music. Bottom line: the client loved the spot and wants to do more. Former radio PD Gishelle Diva Gish called the request line on Sunday to tell me that she too thought the spot was good. Click here to take a listen for yourself. C'mon it's only 30 seconds!

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Saturday, July 05, 2008

that's hot

Some guy at Good Charlotte's record label assured Terry Morrow that Paris Hilton and Nicole Richie would not be accompanying their boyfriends to StarJam 2008 at Patriot Park in Pigeon Forge. And we all know what happens when you assure, you make an ass out of you and re.

One of my co-workers picked up the band at McGhee Tyson Airport on Friday afternoon and was surprised to see that Paris was traveling with Benji Madden. His brother Joel was without Nicole. On the way to Pigeon Forge, they all got out of the van and bought a bunch of fireworks at a stand on Wears Valley Road.

When I had a little bit of a break later, it occurred to me to call Terry Morrow and to tell him that I had met Paris. He loves to tell people about the party he attended at her house. Naturally, Terry was surprised to hear that she was in Tennessee. He couldn't get off the phone fast enough so he could start driving to Pigeon Forge. As a result of his efforts, he was able to phone in a story for this morning's paper and post a few more details on his blog.

Here are the photos I took from my vantage point backstage. You may not use any of these photos on your own site without my permission, but you may go ahead and link back to this blog entry freely.

Copyright © 2008 Frank Murphy. All rights reserved. Copyright © 2008 Frank Murphy. All rights reserved. Copyright © 2008 Frank Murphy. All rights reserved.
Copyright © 2008 Frank Murphy. All rights reserved. Copyright © 2008 Frank Murphy. All rights reserved. Copyright © 2008 Frank Murphy. All rights reserved.

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Thursday, June 26, 2008

and here we go...

Batman fans are buzzing today about the first review of "The Dark Knight." Peter Travers of Rolling Stone absolutely loved it. He's talking about a posthumous Oscar for Heath Ledger. The movie trailers have allayed any fear I had that Heath's untimely death would distract from the film. When I look at him in character, I only see the Joker, not the actor.

Meanwhile Adam West fans can set their TiVos to record the 9 a.m. hour of the "Today" show on Tuesday. Adam, Burt Ward and Lee Meriweather will be interviewed. A couple of Adam West interviews popped up online this week. If you only feel like reading one, I would recommend The Den of Geek instead of ComicBookMovie.com. It's no surprise that Adam is less than enthusiastic about the darker version of the caped crusader.

I don't think it's a contradiction for me to be a fan of both the '60s TV "Batman" and Christopher Nolan's interpretation in "Batman Begins." Of course, I also loved all the other Nolan films I've seen: "Memento," "Insomnia" and "The Prestige."

Some other bat-bits: It's too bad that Adam West wasn't chosen to receive a star on the Hollywood Walk of Fame this year. I hope his supporters keep trying. My friend Bean wanted to make sure I had seen a cool behind-the-scenes photo of Adam and Burt filming one of their famous Bat-climbs. My friend Lee sent me a sound clip of a 1960s radio deejay telling his audience that it was time to go watch "Batman." That's a sure-fire ratings winner. Lastly, I saw a picture on the Knoxville Blog Network of what is truly the worst Batman toy ever. Funny, though.

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Tuesday, June 24, 2008

surprise at the pearly gates

George Carlin seemed younger than 71. Maybe not in appearance but certainly in attitude. If someone asked you last week, could you have guessed that he was born in the 1930s? Yesterday morning I awoke to the startling news that Carlin had died. Although he was only a couple of years younger than my parents, he didn't behave like a member of their generation.

The 28-year-old Carlin was virtually unrecognizable in some footage from a 1965 episode of "The Merv Griffin Show." He was clean-cut and doing a more standard form of shtick reminiscent of Rodney Dangerfield. By the time he hosted the first "Saturday Night Live" in 1975, he had reinvented himself into the comedian we all knew. That could explain why he seemed younger than he was.

When asked for a reaction, Jay Leno told ABC News, "If there was ever a comedian who was a voice of their generation it was George Carlin." Leno's quote for USA Today was "He was a student of Lenny Bruce, and, like him, he spoke directly to his generation." Uh, Jay? Please see paragraphs one and two above.

I remember first listening to one of Carlin's comedy albums while visiting some second cousins in Baltimore. They let me use headphones so as not to disturb the grown-ups. And by grown-ups, I mean the people in the house who were closest to Carlin's age.

George Carlin was one of the many celebrities to appear on KLOS while I worked there. I think he was promoting a book at the time. Or maybe an HBO special. Or possibly both. Carlin was nothing short of prolific. I may not agree with all his beliefs, but I am glad to have met him. I think I may have had him sign a book. If I did, it would be packed away in in box in the basement.

Yesterday I flipped over to NPR as part of my resolution to listen to it more often. They were rerunning an interview with George Carlin from 2004. In the segment I heard, the interviewer asked George about his philosophy of life. In her question, she aptly described it as a mix of narcissism and mysticism. Then she asked about his heart attacks and his thoughts on death. He talked about how he would be sad to know that his life was ending whether he had a minute, a month or a year's notice that his time was up. I wonder what was going through the interviewer's mind as she asked the questions. Was she thinking ahead to the day the interview would eventually be replayed?

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Friday, June 20, 2008

one down, nineteen to go

At the urging of my friend Tim, I tried listening to some NPR this week. Today I heard a show that was so good, I'm kicking myself for not knowing about it sooner. Fortunately all twenty past episodes of Radiolab are available online. They produce five episodes per season.

The episode that got me hooked was about the famous 1938 broadcast of "War of the Worlds." I downloaded the mp3 so I can hear the parts I missed while out of the car. People who posted comments on the show's blog loved it as much as I did.

Every Halloween some radio stations would rerun the old Mercury Theatre show. I used to hear it as a kid in New York on WOR. In L.A. it was on KNX. While I was at KLOS, I produced and directed a version of "War of the Worlds" at the Museum of Television & Radio, as it was known back then. We paid some old guy for the rights and used the same script.

In our production, Paul Sorvino played the Orson Welles part. I cast Paul Moyer and Colleen Williams from KNBC and Leonard Maltin from "Entertainment Tonight" in the roles of the newscasters who "interrupt" the program. They were all great but it was William Shatner who stole the show. He played Carl Phillips, the reporter who (spoiler alert) gets burned up by the Martians. Shatner got a well-deserved standing ovation during our first commercial break.

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Saturday, June 07, 2008

comedy conundrum

If the world's worst comedian makes me laugh every single time I hear him, shouldn't that make him the world's best comedian? Not in the case of Sam Meneshian, the Armenian Comedian. I laugh at him but not for the reasons he wants. His jokes are consistently off-target. I find his failed efforts, many of which are chronicled at KROQ.com, to be hysterical. Sam was a fixture on the Kevin & Bean show before I worked there and continues to be to this day. Jimmy Kimmel has put him on "The Man Show" and his late-night talk show.

Brilliant comics like Andy Kaufman, Sacha Baron Cohen and Robin Williams have created characters that attempt to be what Sam Meneshian is in real life. He tries very hard to become famous without putting any effort into improving his jokes, his singing, his ventriloquism, or his balloon animals. I'm not too sure about his hair-cutting skills either.

The Armenian Comedian's familiar face flashed on my TV screen yesterday while I was watching the previous night's episode of "Last Comic Standing." They ran a quick montage of terrible auditionees and promised to count down their ten worst. I knew that Sam deserved a place in the top three but didn't think they would show him since he had not yet turned up in any audition footage. Numbers 10 through 2 were gradually revealed during the course of the two hour program. They were all comics whose auditions had been shown in the first three episodes of this season. At the very end of the show, they revealed that the number 1 worst audition was, in fact, by Sam Meneshian.



He tried to make something under a bandanna disappear but loudly dropped the object. He took off his shirt and pretended to inflate his stomach by blowing into his finger. Finally, he dropped his ventriloquism dummy while trying to put a live microphone in front of the dummy. Yes, in front of the dummy! In typical fashion, Sam had told the KROQ crew that his audition would be shown next week. As a result, they all missed it on Thursday. My friend Bean asked if I could send him the audio clip for them to play on Monday morning.

Sam is utterly clueless. When he returned from the Miami audition, he said that his audition had gone great. He probably misconstrued the reaction of that week's talent scouts (two guys from "30 Rock"), who stood and applauded the failure of the ventriloquism part of his act. Maybe there's something wrong with the part of his brain that detects sarcasm.

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Thursday, June 05, 2008

hi-yo

The news about Ed McMahon's financial troubles has him and his family in my thoughts. I once went to his house with a digital tape recorder for him to voice the intro to a Kevin & Bean Christmas album. We recorded his segment in the same den that was shown on "Access Hollywood" last night. I loved seeing all his photographs and memorabilia. Ed is especially fond of the toy trains that ride on tracks suspended from the ceiling.

I moved to Burbank just before Johnny Carson's retirement. I wish I could have seen a taping of the "real" Tonight Show with Johnny and Ed but all the tickets were long gone. Because of his other projects, Ed was always accessible to the local media. Just as you would expect, he is a great sport. We had several interactions with him while I was at KROQ. He let us dress him up in the grunge attire of the day so he could introduce Henry Rollins' performance on stage at the Weenie Roast. Another time he wore his suit and tie so we could videotape him on the beach with Jenny McCarthy. My wife and I ended up sitting at the same table as Ed and his wife Pam at Kevin Ryder's wedding reception. Best of all was the time Ed flew several of us and our wives to Orlando for a remote broadcast from Walt Disney World. Kevin & Bean were there to make a guest appearance on "Star Search." I've always regretted the time I had the flu and was too sick to attend Ed's birthday party. Especially since I had already bought a gift.

"Access Hollywood" had an update tonight. I didn't get home in time to see Ed and his wife on "Larry King Live." Did you?

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Tuesday, June 03, 2008

mass, public, interpersonal

One of my former professors from George Mason University was in town over the weekend. Dan Rainey was the faculty adviser for WGMU radio during the time I was station manager. In addition, he taught at least three of the 300 and 400 level communication classes I took. When I mentioned it over lunch on Saturday, Dan joked that every time he turned around, there I was.

Although he still does some teaching (now at SMU), Dan's day job is at the National Mediation Board where he is Director of the Office of Alternative Dispute Resolution.

Dan has been interested in conflict resolution for a long time. In a previous job, he spoke about the representation of Arabs in American media. At lunch, Dan told us a little about Irish political murals. He said we should try to get to DC this summer when some well-known muralists will be in town for an art show.

We talked a little bit about some of my former classmates who were also Dan's students. I mentioned that Debby Girvan had run for mayor of Fredericksburg. Unfortunately she didn't win.

Another topic, albeit brief, was radio and the changes the business has undergone in DC and elsewhere. I forgot to show Dan the picture of a WGMU satin jacket that my daughter saw in a thrift shop. She thought it was tacky funny enough to buy it for less than a dollar. The name "Sportiette" is stitched on the front. I hung it in a closet with a blue WAVA satin jacket and a purple Carpenters satin jacket with the name "Kevin" stitched on the front. I'm ready for Halloween.

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Saturday, May 24, 2008

spirit of seventy-six

For most of his career, my late father was a public relations executive. If you asked him to describe himself, he would simply say that he was a writer. He had a journalism degree and worked as a reporter for a newspaper and for a wire service before going into p.r. Last week I posted a letter he wrote to the White House in 1978. In honor of his birthday, I will post another one today. As before, I am as interested in his writing style as in the content of the letter.

My parents listened to "Rambling With Gambling" every morning on WOR-AM. This letter is addressed to the show's sportscaster, Don Criqui. In his spare time, my father sang with the Glee Club of the Friendly Sons of St. Patrick. You'll need to know that when you get to the last paragraph.
April 19, 1977

Mr. Don Criqui
WOR
1440 Broadway
New York, NY 10036

Dear Don:

It may be the advent of spring, retrogressive insomnia, or simple weakness of bladder as age advances that caused me to be awake this morn at 5:45 to hear your commentary concerning baseball as seen by two faculty members of the Wharton School of Finance and Commerce.

Much of what you reported they said appears to be sound and, from what I know of baseball through an association with it last year during its labor difficulties, a fair assessment of its problems. There is no doubt that fuller stadia and better television markets produce richer teams. Whether the 2.2 million break-even attendance figure holds for every team, it certainly seems a fair projection of what is needed through the turnstile to stay out of the red.

If you consider that last year's total major league attendance was 31,318,331 for 24 clubs, each then averaged only 1,304,930 or 895,070 below their estimated break-even level.

As politicians and marketing experts know, trying to get two million people to commit themselves to anything is a tough assignment.

It has been argued that the season is already too long, but the main part of the season still only runs from the second week in April to the end of September and has for many years. It is only the playoff system that extends it into mid-October, and this frankly is a creature of television. By playoff time, the season has already ended for 22 of the 26 teams, even though national attention (and highest television revenue) is focused intensely upon the remaining four divisional and then two league champions for the following three weekends.

The one idea the Wharton guys had that amused me, however, was their suggestion that baseball should rely more upon colleges to develop their player talent.

Are they, in effect, saying that the baseball industry should rely upon a government subsidy to train their entry level personnel?

Why not, you say, doesn't football and basketball? And what's this government subsidy stuff?

Well, isn't it? After all, a glance over the player rosters of major professional teams reveals that most of the players (as is true of most of the collegiate graduates) are from state supported colleges and universities. And those athletes that generally qualify for professional ranks do so because they have been outstanding athletes in high school and college. As such, they have been on athletic scholarships, which means that the taxpayers have been picking up their tuition, books, laboratory, and room and board costs.

As skilled athletes entering the labor field of professional sports, have they not been coached, trained, supported, and apprenticed with government funds at taxpayer expense? Isn't that a subsidy?

Sure scholarships come out of athletic department funds that are supposed to be self-supporting. But the institution that they attend isn't self-supporting. The facilities they use, the fields they play on, the classes they attend, the libraries (hopefully) they study in are all parts of the state supported institution.

It is hyperbole, of course, to talk in terms of direct government subsidy to baseball for player development. But there is an element of that existing in other sports.

In any event, government subsidized minor leagues have as much chance of catching on as does the idea of electronic voting on managerial decisions. I never viewed a ballpark crowd as an unbiased audience or considered it to hold a typical random sample of American opinion. Secondly, can you see Billy Martin reacting to the second guesser in the announcers' booth who puts the question to the crowd? I think it would make the Atlanta walk-off by the umpires last week seem like a casual perambulation. And finally, how long would those fancy electronic terminals at each seat hold up among our turf-gathering fanatics.

There is no question that baseball is faced with problems, but it strikes me that their source might be more easily traced to contracts with long-term deferred compensation clauses which can lead to the bankruptcy of franchises as the only means of getting those monkeys off the backs of a new ownership.

That doesn't bode well for the best interests of the players, the fans, or the sport. As the municipal unions in New York are learning and as the "city fathers" found out at the bond market, you can milk a good thing just so long until the day of reckoning. And that day always seems to arrive just when you are least prepared for it.

Incidentally, on the 2.2 million figure, only three clubs reached that total last year -- Cincinnati at 2.6, Philadelphia at 2.5, and Los Angeles at 2.4. The Yankees, who led the league practically all season, in a brand new ballpark managed to edge across the two million mark at 2.012, marking the first time in baseball history that four clubs had scaled the two million summit.

In the event you hadn't seen it, I am enclosing an article from Forbes magazine on this topic, and because I enjoy hearing you in the mornings, I thought (boastfully) you might like to hear some others at night. So I'm sending along two complimentary tickets to a glee club concert I am associated with. As a product of that South Bend Muscle Academy, you must have some Irish in you.

Best regards,

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Tuesday, May 13, 2008

where are they now?

The best summer job I ever had was working in the box office at Wolf Trap Farm Park for the Performing Arts. We worked ten-hour shifts, four days a week. Almost all the employees were college students, like me. One of my friends, Jim Glancy, stayed with the business and worked his way up to a job in the programming department, hiring the various music acts who played concerts at the venue. Jim's best friend, Joe Kelliher, also worked a couple of summers at Wolf Trap. I've mentioned Joe before.

My favorite memory of Jim is a college radio show he once did at WGMU. All the songs were by rock stars who had died, grouped by cause of death. I think Jimi Hendrix may have been the transition from drug-related to food-related deaths. Or vice versa. At the end of the show, Jim gave honorable mention to Jerry Lee Lewis. Classic.

Eventually Jim moved to New York and took a job doing the same thing at Radio City Music Hall. He and I have lost touch over the years. I'm big on email, he said he would never get an email address. The last time I saw him was on a business trip to New York for the MTV Video Music Awards, which were held at Radio City that year. Before long he was president of Ron Delsner Presents. That company got bought a couple of times and is now part of Live Nation.

Over the weekend I got a new LinkedIn connection from another former WGMU colleague. Thinking about the old days prompted me to type Jim Glancy's name into Google. I was impressed to learn that he had left his job as president of Live Nation to become a partner in The Bowery Presents. He was featured in a New York Times article last year and recently won the Pollstar Concert Industry Award for Talent Buyer of the Year. Gothamist says he's part of the New York music mafia.

So what type of acts is Jim buying for the venues under his control? Mostly artists catering to the New York hipster crowd. I only recognized a handful of names on the Bowery calendar. The one that jumped off the page to me is scheduled for June 21 at Webster Hall. My friend Richard Cheese and his band will make the place swing.

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Friday, April 25, 2008

sure as heckfire

This is an actual conversation that took place while waiting for the light to change at the intersection of Walnut Street and Summit Hill Drive tonight. My son and I were driving home from the Dogwood Arts Festival Parade. I looked out the window at the driver in the next lane and said:
"Phil! Phil Williams..."

"Yeah?"

"It's Frank... Frank Murphy."

"I didn't even remember recognize you! Who's driving your car?"

"That's my son."

"He's not supposed to be that old."
I'll admit I was a little surprised, even if there is a logical explanation. By the way, my parade coverage is postponed until tomorrow. I need to sleep.

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Wednesday, April 23, 2008

lights, camera, access

Is Billy Bush the next Ryan Seacrest? The First Cousin started in radio, moved to TV and is now doing both.

In addition to his "Access Hollywood" duties, Billy has been filling in for Meredith Vieira on "Who Wants to Be a Millionaire" this week. And doing a fine job of it too. It seems that every couple of months they have somebody different filling in. Dave Price from the "The Early Show" and Tom Bergeron from "Dancing With the Stars" have also been on recently. Like most game shows, "Millionaire" is taped weeks in advance. The fact that they are using guest hosts instead of working around Meredith's schedule could be an indication that they are auditioning her eventual replacement. As good as Bush and Bergeron are, I suspect that New York based subs like Price and Al Roker have a slight edge over the Los Angelenos.

Bushy is returning to his radio roots with the nightly syndicated Billy Bush Show. He's on from 7 to 11pm in Los Angeles and is adding affiliates nationwide. The show has both music and celebrity interviews. I emailed Billy to ask how he's doing it. He replied that they tape his part of the show during the day and add the music later. It's has to be ready for the satellite at 7:00 p.m. Eastern time.

Similar to Seacrest at the Super Bowl, Bush will host a red carpet show before the Kentucky Derby. Of course for Billy to be on par with Ryan, he also needs a show comparable to "American Idol." Too bad that his "Grease: You're the One that I Want" wasn't bigger.

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Wednesday, April 09, 2008

tip of the iceberg

The "Stuff (blank) People Like" phenomenon hasn't grabbed my full attention. I had heard about the original site, Stuff White People Like but didn't spend a lot of time looking at it, much less the various copycat sites.

Today I found that I had been added to the blogroll on Confessions of a Worshipper (thanks!). One of their recent entries linked to a list of Stuff Christians Like. On the flip side of the coin, All Access posted a link to Stuff Radio People Like. Comparing the two is somewhat reminiscent of the old Goofus and Gallant cartoons in Highlights Magazine.

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Tuesday, April 08, 2008

the bee's knees

"The Insider" may as well be called "The Insidious" in my book. I have seen enough of the show to know that I would rather avoid it. In all fairness, I will have to try it again if Donny Osmond is hired to replace Pat O'Brien, as rumored.

Tonight I heard some of "The Insider" in the car on 87.7 FM. They were trying to predict who will be on the next season of "Dancing With the Stars" based on who was in the audience for Monday night's show. '80s pop star Debbie Deborah Gibson, Trump's ex Marla Maples and famous choreographer Paula Abdul were mentioned as possibilities.

"The Insider" totally missed the audience member who, in my opinion, would want desperately to be on a show as big as "Dancing With the Stars." With all the attention that Los Angeles radio personality Adam Carolla got from dancing with super cute Julianne Hough, you know that Rick Dees must want a piece of that spotlight too. Thanks to my HDTV, I had no difficulty seeing Dees in the crowd behind the best live TV host in the business, Tom Bergeron. Dees certainly knows how to promote himself but would he be willing to risk embarrassing himself on the dance floor? Could he stick around longer than Adam, who was unfortunately the fourth celebrity to be sent home?

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Sunday, April 06, 2008

to pry or not to pry

John Charles Carter died yesterday. The world knew him as Charlton Heston, the star of two of my favorite movies, "Planet of the Apes" and "The Ten Commandments." I had the pleasure of meeting him twice.

Mr. Heston visited KLOS a couple of times to promote his books. It is unusual for a movie star of his magnitude to do a radio interview. He came because the publishing business has a better appreciation for the power of radio than the movie industry. I was there when he came in to plug "To Be a Man: Letters to My Grandson." On another occasion we needed to bring the show to him. I can't remember exactly why. I made a few calls to his house and spoke with Mrs. Heston to make plans for the broadcast. On the appointed day, we took the Mark & Brian Mobile up Coldwater Canyon Drive to the Heston home. The entire interview was conducted in the driveway, near his grandson's sandbox.

The broadcast from Heston's driveway was similar to our on-air visits to the exteriors of the homes of Peter Falk and John Travolta. We didn't presume to set foot in their houses either.

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Wednesday, March 26, 2008

ballroom brawl

Adam Carolla got some good news last night. He wasn't the first celebrity booted from the current season of "Dancing With the Stars." Although the judges gave him a low score, enough viewers voted to keep him on for another week. I suspect that more than a few of those votes came from fans of his dancing partner Julianne Hough, but it still counts.

I have some remorse about the way Adam and I first met. He was trying to get his foot in the door at KROQ while it was my job to try and keep the door shut. KROQ is constantly bombarded with people who want to get on the air. Every day the music director is asked to consider dozens of songs by both new and established artists. The Kevin & Bean show hears from people wanting airtime for their movie, TV show, book, restaurant or any type of event you can imagine. As one of the gatekeepers, I had to help keep the show from getting overrun.

Jimmy Kimmel
and I were both up for the morning show producer job at KROQ. I got the job and Jimmy was hired a couple of months later as our comedy writer. He developed an on-air character as Jimmy the Sports Guy and eventually got into a comedic dispute with another morning show regular. Michael the Maintenance Man and a KROQ van driver would go out to a different neighborhood each morning to give away prizes to listeners. Somehow Jimmy and Michael had a disagreement that they decided to settle with a boxing match. After it was announced, I got several messages from a guy named Ace offering to coach one of the fighters. Ace is Adam Carolla's nickname. I kept having to put him off until we could have a morning show meeting and figure out how we were going to proceed. Adam had experience as a boxer and as a carpenter and as a cast member at the Acme Comedy Theatre. Thanks to his talent and persistence, Adam became Jimmy's boxing coach. It was the beginning of their beautiful friendship.

The fight between Jimmy and Michael came to be known as the "Bleeda in Reseda." I booked some celebrity judges including Pat O'Brien and John Wayne Bobbitt. At the time, O'Brien refused to pose in a group photo with Bobbitt so as not to harm his reputation. Bobbitt shocked me by knowing who I was from my days at WAVA and from his days in Manassas before he became famous as a news story.

Boxing and Adam are back together again in his new movie, "The Hammer." it was recommended by both Not Siskel and Not Ebert on a recent edition of "At the Movies." I hope it plays at the Downtown West, otherwise I'll have to wait for the DVD.

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Friday, March 21, 2008

unflattering imitation

Like Jimmy Durante used to say, "everybody wants to get into the act." Since Marshmallow Peeps are the top selling non-chocolate Easter candy, it makes sense that other companies want to compete. I'll cover the copycats today and save the real deal for tomorrow.

A while back I wrote about a similar Christmas candy called Marshmallow Pals. They are also made in an Easter version. I saw more sugar coated marshmallow things at Wal-Mart this week. Palmer now makes a Marshmallow Baby Binks in addition to their chocolate bunny with the same name.



Nestled among the Peeps, I spotted some animal-shaped marshmallows made by Barton's Candy. Their Barn Yard Buddies looked more like Barn Yard Blobbies to me.The creatures pictured below are supposed to be cows, pigs and frogs.



The odd shapes reminded me of an old Bob & Ray bit about a warehouse that stored its chocolate Easter rabbits too close to some steam pipes. My radio idols did a fake commercial for Chocolate Wobblies. Each one was guaranteed to have a ribbon hidden somewhere inside it.

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Wednesday, March 19, 2008

all ears

The members of my extended family are planning and preparing for my grandmother's big birthday celebration this Spring. One of my cousins volunteered to assemble a DVD with pictures of Grandma throughout the years. I spent this afternoon going through photo albums and scanning images that I could email to him. In addition to a bunch of snapshots of Grandma sightseeing in Hollywood, I found two old photos that were solely for my own amusement.

When we lived in Virginia, we often visited Grandma on Long Island for the Fourth of July. I always enjoyed listening to WLNG while in the area. Whenever possible, I would seek out a Paul Sidney remote broadcast. Here we are at the Independence Day parade in Southampton, talking about radio on the radio.



Ringling Bros. and Barnum & Bailey used to let deejays ride the elephants from the train to the venue in the various cities they visit. They don't anymore. When the circus was in town two weeks ago, I thought about the times that I was fortunate enough to have done so in the streets of Washington D.C.

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Monday, March 17, 2008

the good, the bad and the ugly

While at Walt Disney World this weekend, my wife and I tried to visit some attractions we didn't see last year. We got home last night but the blog posts about the trip continue.

My wife was interested in the Test Track ride at Epcot. We saved a lot of time by using the single riders line. As long as you don't mind riding in separate cars, it's better than waiting in the long regular line. Because a light rain had started to fall, they made several announcements that the ride might have to close at any time. Since our line was moving fast, we didn't miss out.

When we went to the Magic Kingdom, I wanted to ride the Carousel of Progress, which was originally part of the 1964 World's Fair. The voice of the audio-animatronic father seemed familiar to me. It was Jean Shepherd, who I remember from childhood as a great storyteller on WOR-AM. Most people know his voice from "A Christmas Story." Last night my wife was complaining that the song "There's a Great Big Beautiful Tomorrow" was stuck in her head. As much as I wanted to enjoy it, I had trouble keeping my eyes open during the show.

Two years ago I went on a face character photo safari. Instead of Disney princesses, this year I saw Lady Tremaine, Anastasia and Drizella. They seem to have a lot more fun teasing the guests than Cinderella ever could.

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Friday, March 14, 2008

who doesn't?

When they said the Osmonds would be on stage tonight, they really meant it. By the end of their concert, the stage was completely packed with Osmonds, performing and otherwise. They were the headline entertainment at the Children's Miracle Awards, part of the Children's Miracle Network Celebration going on this week at Walt Disney World.



My wife and I wanted to see the performance but we wanted to skip the black-tie dinner that preceded it for two reasons. First, we didn't bring any formal wear with us to Florida. Second, the entrée was filet mignon on a Lenten Friday. Instead we went to Epcot to get fish for dinner. And by fish, I mean sushi at Tokyo Dining.



After dinner we tried to hurry back to the Coronado Springs Resort. Because it took us a long time to find a bus going from the hotel to Epcot before dinner, we thought it might be faster to make our return trip via Monorail from Epcot to the Magic Kingdom and then by bus back to the hotel. It wasn't. We worried that we might miss the Osmonds. Instead that fortunate mistake put us in the right place at the right time to have our pictures taken with Donny Osmond, who was crossing the hallway outside the ballroom about half an hour before showtime.